menu Home chevron_right

Audio-Tech


Daws:

Cubase 9.5 Pro

Ableton Live 10 Suite

Logic Pro X 10.4

Studio One 3.5

 

Notation Software:

Presonus Notion

 

Libs:

EastWest Composer Cloud All libraries

Miroslav Philharmonic 2 Full

Cinematic Percussion

Kirk Hunter Diamond Orchestra

 

Synths:

Omnisphere 2

VPS Avenger

U-HE Zebra 2

Serum

Massive

Reactor

Europa

SynthMaster

XILS 4

Absynth

Loom

Waves Codex

Carbon Electra

Hexeract

Hybrid 3

Sylenth1

A.N.A

Ana 2

Vacuum Pro

Vacuum Mono

Izotope VocalSynth

Izotope Iris

Velvet 2

Structure 2

Strike 2

Transfuser 2

Spire

OP-X PRO-II

BassMaster

Wiggle

U-HE Tyrell

Novation V-Station

Novation Bass Station

Logic Pro X synths

Studio One Pro Synths

Cubas 9.5 Pro Synths

 

 

Audio Plugins:

Neutron 2

Ozone 8

Nicky Romero Kickstart

The Wall

Kick 2

Intensity

Polaris

Magic AB 2

Paradox

BX Subsynth

Tronto trilogy

MixChecker

Fabfilter Micro

MSW 2

Trash 2

Beattweaker

Stutter Edit

DDLY

Mobius Filter

LFO Tool

The Riser

DB-33

Mini Grand

Air Creative collection Plus

Xpandit 2

Axis

Nebula

Oracle

Orbit

Slam Dawg

Waves Plugins:

AudioTrack:

With 3 processors – EQ, compression and gating – in one easy-to-use plugin, AudioTrack functions like a mixing console’s channel strip, serving your most essential needs on any audio track.

Waves 25th Anniversary edition: You can now choose between the classic Legacy and the new Modern user interfaces. Both offer new plugin features, including:

  • Focused EQ band display: Shows only the selected band’s controls, to let you quickly control band values
  • Double Precision: 32-bit floating-point processing at 64 bits
  • Separate meters for Comp and Gate gain reduction

AudioTrack offers the most efficient and CPU-light way to mix your tracks: you can open multiple instances, one per channel, and avoid the need to jump back and forth between separate equalizer, gate and compressor plugins.

The 4-band paragraphic equalizer provides bell, high-pass, low-pass, and shelving filter options. The dynamics section includes a fully adjustable compressor/expander and gate. Input and output faders allow for proper gain staging, and dynamics and output meters enable accurate visual feedback.

C1 Compressor

With compression, expansion, gating, and equalization, the C1 is a true production workhorse, featuring three independent modules which can be used separately or combined for maximum flexibility.

  • Compressor plugin with gate and sidechain
  • Compressor/Expander, Gate/Expander, Filter/EQ modules
  • Split-band dynamics
  • Internal and external side-chaining
  • Look-ahead feature for precision transient processing

C4 Multiband Compressor

A multiband dynamics processing powerhouse, the C4 does it all: Four bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from our acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your tracks, with maximum clarity and transparency.

  • Multiband compressor plugin
  • Four parametric bands
  • Sculpt vocal frequency and dynamic response with pinpoint precision
  • Control, compress, and accentuate different parts of drum kits
  • Shape mixes dynamically using frequency-based compression and expansion
  • ARC™ auto release control

C6 Multiband Compressor

For years, the C4 has been a favorite of studio engineers the world over, and in live sound, it’s quickly become a must-have for front-of-house and monitor professionals as well. To create the C6, we took the tried-and-true functions of the C4, and added two additional floating bands plus a sidechain feature, for one-stop vocal and instrument shaping. Equally at home in the studio, live, and in post production, the C6 lets you zero in on problem frequencies with surgical precision.

Perfect for de-essing and de-popping in the studio or onstage, the C6 gives you all the multiband compression and dynamic equalization you need to control, tame, and shape your sound.

  • Multiband compressor plugin
  • Internal/external sidechain per band
  • Individual band Listen mode
  • Four crossover bands plus two floating bands
  • Dynamic EQ, compression and expansion
  • Double precision bit resolution processing

DeEsser

When it comes to reducing excess sibilance (“ess” and “shh” sounds) from vocal tracks, nothing compares to Waves DeEsser. Inspired by vintage gear for precision de-essing and high frequency limiting, DeEsser delivers smooth and natural output with minimum fuss.

  • De-essing plugin
  • Sharp sidechain filters
  • Wideband and split compression modes
  • Audio or sidechain monitoring

Doppler

Explore new dimensions of sound and movement with Doppler. Create the illusion of traveling through space or the rush of a passing train. With Doppler, you control the frequency change, speed, and distance from your sonic source with pinpoint accuracy.

  • Doppler effect plugin
  • Auto-detection or manual triggering
  • Energy, manual, continuous cycling and one-shot modes
  • Reverb with time and brightness controls
  • Creative click and drag simplicity

Doubler

When professional engineers need superior double-tracking effects, they turn to Doubler. Using delay and pitch modulation, Doubler delivers extraordinary richness and texture on vocals and polyphonic instruments as well as full mixes.

  • Double-tracking / chorus plugin
  • Add shimmer and presence
  • Create the ‘80s harmonizer and pitch detune effects
  • Double vocal parts automatically
  • Add flam-like effects to drums

eMo F2 Filter

eMo F2 is an 18-dB high-pass/low-pass filter optimized for live performances. Whether used separately or as part of the eMotion LV1 mixing console, eMo F2 gives live engineers uncompromising sound quality, super-low CPU consumption, zero latency, multi-touch compatibility, and smooth filters without noise or artifacts.

In stereo mode, the right and left sides can be filtered independently or linked. Whether used in a DAW, in the eMotion LV1 mixer or in other Waves hosts, eMo F2’s simplified design, large GUI and transparent sound make it an effective filtering tool for both live and studio environments.

  • 2-band high-pass/low-pass filter: 18 dB per octave
  • Independent filters for the left and right stereo sides
  • Big GUI that is easy to view and operate
  • Multi-touch compatibility
  • Zero latency
  • Super-low CPU consumption
  • Smooth filters free of noise and artifacts

eMo Generator

An intuitive signal generator plugin that can be used on its own or as part of the eMotion LV1 live mixer

eMo Generator can generate three signal types:

  • Pink Noise for testing and tuning your live sound system.
  • White Noise for SPL measurements.
  • Sine Wave for sweeping through entire frequency ranges or even for tuning instruments to middle A.

With fast and user-friendly controls, eMo Generator is the perfect tool to help you test and tune your studio and live systems.

  • Three common signal types: Pink, White, Sine
  • Fully sweepable sine frequency with shortcuts
  • Fully sweepable gain with shortcuts
  • Touch-compatible
  • Mono and stereo components
  • Generated signal can be played separately through left or right outputs (stereo mode)
  • Flips phase between left and right output (stereo mode)

eMo Q4 Equalizer

The eMo Q4 EQ plugin is a highly practical and convenient 4-band paragraphic equalizer. It can be used either on its own or as part of theeMotion LV1 live mixer channel strip. Designed with a live workflow in mind, it provides uncompromising sound quality, super-low CPU consumption, zero latency, multi-touch compatibility and smooth filters free of noise and artifacts.

eMo Q4 EQ provides up to four bands of equalization per channel. In stereo mode, each side can be EQed independently, giving you the option to apply different EQ to the left and right sides or to link them together.

Whether used in your DAW or in any Waves hosts such as MultiRack or the eMotion LV1 mixer, this EQ’s streamlined design, large GUI and transparent sound make it an effective tool for both live and studio mixing.

  • 4-band paragraphic EQ
  • Variable EQ slope types
  • Independent EQ for the left and right stereo sides
  • Big GUI that is easy to view and operate
  • Multi-touch compatibility
  • Zero latency
  • Super-low CPU consumption
  • Smooth filters free of noise and artifacts

Enigma

Twist, bend, and mangle your sound like never before with effects that go way beyond phasing and flanging. Enigma uses a unique combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, never-before-heard sonic textures.

  • Multi-dimensional modulation plugin
  • Notch, modulator, and feedback modules plus BPM sync
  • Twist, bend, manipulate and mangle your sound

GTR3 Amps

Inspired by legendary amplifiers from Fender® Marshall®, Mesa/Boogie®, Vox® and others, GTR3 brings you the very best vintage and contemporary amps – in the box!

  • 25 modeled amps guitar and 7 bass amps
  • Clean, Drive & High Gain guitar amps
  • Custom amps by Neil Citron (Steve Vai, Larry Carlton, Steve Lukather)

GTR3 Stomps

From Distortion, Doubler and Delay to Flanger, Phaser, Fuzz and more, GTR3 Stomps give you everything you need to customize your tone. With features like sync-to-host BPM and real-time MIDI control, it’s never been easier to dial up your sound. And with Waves Tuner’s standard, chromatic, and alternate tunings, you’ll always have perfect pitch.

  • Drag and drop effects into the virtual pedalboard
  • 26 state-of-the-art effects
  • Chain up to six effects per track

GTR3 ToolRack

Waves GTR ToolRack features virtual guitar amps, cabs, and effects that can run as a plugin in your DAW or as a standalone application for real-time processing. Now you can plug your guitar straight into your laptop and process your sound live on stage, using a MIDI foot controller for real-time preset selection and sound manipulation. Each instance of GTR ToolRack holds up to six GTR Stomps, two GTR Amps, and the GTR Tuner.

  • 32 amps and 29 cabs
  • Multiple mics and mic settings
  • Standalone, no DAW required

GTR Tuner

The Waves GTR Tuner is a chromatic tuner that can be set to Standard, Alternate, and Chromatic tunings.

  • Precision accuracy
  • Chromatic tuning
  • One-click inline accessibility

H-Comp Hybrid Compressor

H-Comp combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.

  • Hybrid compressor plugin
  • Analog modeled release behavior
  • Wet/dry mix for easy parallel compression
  • Unique transient pass-through punch control
  • Exclusive BPM-sync release function
  • Analog character modes
  • Output limiter/clipper modes
  • External sidechain support

H-Delay Hybrid Delay

H-Comp combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.

  • Hybrid compressor plugin
  • Analog modeled release behavior
  • Wet/dry mix for easy parallel compression
  • Unique transient pass-through punch control
  • Exclusive BPM-sync release function
  • Analog character modes
  • Output limiter/clipper modes
  • External sidechain support

H-Reverb Hybrid Reverb

New technologies open new creative horizons. H-Reverb is a pioneering FIR reverb based on innovative Finite Impulse Response reverberation technology, providing richer, deeper reverb tails that sit beautifully in the mix while breathing crisp air into your tracks.

The FIR engine that powers H-Reverb lets you shape and customize the reverb decay envelope beyond the standard linear forms, resulting in perfectly gated, real reverse, and dense reverb tails that don’t muddy up the mix. Taking things one step further, H-Reverb incorporates Waves’ advanced analog modeling along with a drive control, offering signal behavior that until now was found exclusively in high-end hardware reverb devices. This unique design also enables input drive, a technique favored by many top engineers.

To top it all off, H-Reverb includes an impressive library of artist presets from the industry’s leading mixing engineers, as well as presets inspired by vintage and modern classics. These presets may be the perfect space you’re looking for, or simply the perfect point to start from.

By fusing classic reverb concepts with forward-thinking features that break new ground in digital reverb processing, H-Reverb provides uncompromising sound quality and boundless creative control.

  • Resonant filter sweeps for creating innovative reverb effects
  • EQ and dynamics module for compression, ducking and de-essing
  • ADA analog modeling and drive control
  • Artist presets from the industry’s leading mixing engineers
  • Full buildup timing and shaping
  • Pre-delay BPM sync
  • Support for full 5.1 channel surround setups
  • Quick reference button
  • User-friendly GUI with collapsible version

IR-L Convolution reverb

When you need to recreate the authentic sound of actual acoustic spaces, there is no alternative to the realism and flexibility of convolution reverb. The IR-L offers the same great sound and performance as our IR1, using a simple, streamlined interface for maximum ease and efficiency.

L1 Ultramaximizer

Advanced level maximizer, look-ahead peak limiter and high-resolution re-quantizer, all in one powerful industry-standard plugin for mastering and mixing.

Waves 25th Anniversary edition: You can now choose between the classic Legacy and the new Modern user interfaces. Both offer new plugin features, including: 

  • True Peak domain setting: Eliminates inter-sample clipping
  • Automatic Release Control: Auto-adjusts release time

Renowned for its transparency and punch, L1 has been the standard tool used on countless hit recordings over the past couple of decades. 

L1 maximizes both the level of the digital signal and the resolution of the final file. It offers superb re-quantization for all bit depths, including 24, 20, 16, 12, and 8-bit outputs. Its look-ahead peak limiter enables you to increase sound file resolution and production master levels with precise control and dithering options. 

L1’s limiter section is capable of a very fast, overshoot-free response. Because a typical music signal contains many high-intensity, short-duration peaks, simple normalization of the file may result in a low average signal level. L1 can significantly increase the average signal level of an audio file without introducing audible side effects.

  • Peak limiter / level maximizer plugin
  • Industry standard for mastering & mixing music or multimedia
  • Two components: L1 Limiter and L1+ Ultramaximizer
  • Increased Digital Resolution dither with noise-shaping filter
  • Double precision bit resolution processing
  • 25th Anniversary edition includes Legacy and Modern interfaces
  • NEW 25th Anniversary features: True Peak domain setting, Automatic Release Control

L2 Ultramaximizer

For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.

  • Peak limiter / level maximizer plugin
  • IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
  • Manual and ARC™ Automatic Release Control

MaxxBass

When you need to seriously pump up your lows, choose MaxxBass®, the bass enhancement technology used on more hit records and major motion pictures than any other. MaxxBass® uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined, it creates the effect of lower, deeper frequencies. For bass you can really feel, it’s got to be MaxxBass®.

  • Extends perceived bass response by up to 1.5 octaves
  • Preserves the dynamic range and character off the original bass
  • Mixed output, maxxbass, and original bass monitoring

MetaFlanger

There’s never been anything quite like the sound of great vintage tape flanging and phaser emulation – until now. From gentle choruses and dual-delay flanging sounds to sharp phasing and extreme jet sweeps, let MetaFlanger take you there and beyond.

  • Works great as a vocal effect
  • Flanging, phasing, chorusing, and more
  • Extensive presets including emulations of vintage gear
  • Tempo sync

ModoMod

MondoMod utilizes an exclusive combination of linked AM, FM and Rotation modulators to create unique sonic textures ranging from tranquil to turbulent.

  • Amazing chorus effects for everything from guitars to vocals
  • AM (tremolo), FM (vibrato) and Rotation (panning) modules
  • LFO with 5 selectable waveforms
  • Tempo sync

MV2

With high and low level compression controlled by a streamlined interface, the MV2 is the simplest, most flexible way to control your sound. With intuitive dual faders for quick dynamic optimization, it’s never been easier to maximize your volume.

  • High- and low-level compression in one plugin
  • Intuitive and simple controls for quick dynamic optimization
  • Brings out room ambience and detail
  • Adds body and detail to any instrument
  • Great for dialogue and post-production leveling

Paz Analyser

Amazingly accurate and a breeze to use, the PAZ Analyzer generates a comprehensive realtime visual representation of your audio’s stereo positioning, frequency spread, and peak/RMS levels.

  • Position, Frequency and Meter components
  • Real-time vector display with zoom
  • Peak or RMS frequency analysis modes
  • L/R peak and RMS displays, with individually re-settable peak hold values
  • Optional resolution in 10Hz steps for precise analysis below 250Hz
  • 52 or 68 band analysis
  • Save results as text file

PS22 Stero Maker

Ideal for revitalizing old recordings as well as sound effects, guitar leads, and more, the PS22 is unsurpassed for mono-to-stereo emulation, enhancing individual tracks, and rebalancing the spatial imaging of stereo mixes.

  • Psycho-acoustic spatial enhancement and phase-compensation
  • Retains mono compatibility
  • Preserves original frequency response
  • Left/right or MS meter monitoring

Q10 Equalizer

Multiband paragraphic EQ with 10 bands of precision equalization for mixing and mastering – a go-to tool for both surgical repair and gentle coloring.

Waves 25th Anniversary edition: You can now choose between the classic Legacy and the new Modern user interfaces. Both offer new plugin features, including:

  • Proportional Q filters: Keeps Q value proportional to gain.
  • Selectable band control: Allows you to focus in more detail on the selected band’s controls.
  • Double Precision control: Lets you choose between 32-bit and double-precision 64-bit processing.

With its ten bands, Q10 offers unparalleled equalization options. Each band offers six different filter types and complete control of gain, frequency and Q. And unlike most multiband equalizers, each Q10 band can use any filter type, so there is immense flexibility when shaping a signal.

Q10 offers extremely large Q values and large boosts and cuts, so you can fix and focus sounds that a conventional EQ could not touch. Q10 is configurable either as two independent mono equalizers or as a precisely ganged stereo equalizer.

  • 10-band equalizer for mixing and mastering
  • Ideal for both surgical repair and gentle coloring
  • Six filter types per band
  • Advanced noise shaping for optimum fidelity
  • 25th Anniversary edition includes Legacy and Modern interfaces
  • NEW 25th Anniversary features: Proportional Q filters, selectable band control, double precision processing

Renaissance Axx

Engineered especially for guitar, Renaissance Axx is the ideal compressor for musicians and engineers who need to dial in dynamic levels quickly. With its three efficient controls, Renaissance Axx features a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.

  • Easy-to-use compressor plugin
  • Ideal for guitar and bass
  • Streamlined 3 parameter control

Renaissance Equalizer

Featuring real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom, the Renaissance Equalizer is a versatile paragraphic EQ with warm, analog-style sound.

  • Intuitive EQ plugin with real-time graphing and vintage-modeled filter curves
  • 2, 4, and 6 band components
  • Filter-curves based on vintage analog equalizers

Renaissance Reverb

With rich reverb tails, an advanced early reflection system, and dual-band EQ and damping controls, Renaissance Reverb delivers unsurpassed sound and performance with extraordinary density and texture.

  • 12 reverb types
  • De-correlation for subtle early reflections changes and fine-tuning
  • Negative predelay value delays the dry signal

Renaissance Channel

This channel strip plugin combines EQ, compression, limiting, and gating in one convenient interface. A complete audio mixing chain that quickly delivers a clear, warm, open sound without requiring multiple plugins.

  • EQ, compression, gating, and limiting in one plugin
  • Selectable EQ/dynamics signal flow
  • Stereo rotation control

S1 Stereo Imager

Ideal for stereo tracks as well as full mixes, the S1 is a unique and powerful set of tools that uses psycho-acoustic spatial imaging techniques to enhance and alter stereo separation.

  • Shuffler, Imager, and MS Matrix components

SuperTap

Inspired by the legacy of the classic analog tape delays, SuperTap’s extensive modulation, panning, and filter options give it unprecedented processing power. Sync to your host tempo or tap it in; SuperTap gets you into the right groove.

  • Versatile delay and echo effects
  • 2-Tap and 6-Tap components
  • Tap-pad for tempo tapping or pattern switching
  • Global LFO modulation and 2 feedback modes
  • Spatial positioning vector display

TrueVerb

Featuring a flexible graphic interface and powerful editing parameters, TrueVerb combines reverb with an Early Reflections simulator to create extraordinarily natural-sounding virtual acoustic spaces.

  • Thru and send modes
  • Independent and linked distance and reverb modes
  • Time and frequency response graphic interface

UltraPitch

When you need to transpose, harmonize, modulate, and transform your sound, UltraPitch is the answer. With factory presets including essential classic setups, UltraPitch is great for thick stereo chorusing, doubling, parallel harmonies, vocal slap and spread effects, and much more.

  • Shift, 3-Voice and 6-Voice modules
  • Pitch Detector and Voice Character graphs
  • Random asynchronicity using Animation Amount control
  • Linked or free formant correction curves

V-Comp

Using time constants and a fixed nominal output gain, the V-Comp recreates the rich lush buss sound of the vintage 2254 hardware compressor. This super-responsive dynamics processor packs a recognizable musical punch heard on countless hit records. Its controlled, gentle compression can really glue a mix together.

  • Modeled vintage compressor plugin
  • Based on the vintage 2254 hardware compressor
  • All-in-one compression, limiting & de-essing

V-EQ3

Combining the best characteristics from two of the world’s most desirable console modules, the 1066 and 1073, this 3-Band EQ, with its classic cutoff points and adjustable High Pass Filter, is ideal for mixing and mastering. With the V-EQ3, it’s never been easier to achieve the rich classic sound of the ‘60s and ‘70s.

  • Modeled vintage equalizer plugin
  • Based on the vintage 1066 and 1073 console modules
  • High Pass, LF shelf, MF bell & HF shelf filters

V-EQ4

Modeled on the highly sought-after 1081 console module, this classic 4-band equalizer features detailed high frequency boosts plus High Pass and Low Pass Filters. The V-EQ4 captures the characteristic sound of vintage analog gear while providing the limitless flexibility and versatility of the digital environment.

  • Modeled vintage EQ plugin
  • Based on the vintage 1081 console module
  • Smooth, responsive performance

Vitamin Sonic Enhancer

Waves Vitamin is a multiband harmonic enhancer and tone-shaping plugin that can make any track sound powerful and full of spark by mixing an enriched version with the original signal.

With its zero-latency processing, Vitamin caters to studio and live mix engineers alike. Used as an insert on any track or buss, Vitamin instantly delivers a warm, vital result that is comparable to what you would get from a parallel chain of EQ, compression and saturation processors, but without the hassle.

Vitamin’s controls are intuitive, easy to use and immediately responsive, letting you smooth or accentuate punchiness and dynamics, determine the crossover frequency points between the plugin’s five bands, and control the mix of the direct signal with its enhanced version. To top it all off, when Vitamin is in stereo mode, each band has a width control that lets you create wider sound images or make room for a vocal right in front of the mix – a great tool for mastering.

Whether used on vocals, guitars, synths, drums or an entire mix, Vitamin opens up the sound in a way that truly complements and enhances the original signal, ensuring your tracks get the nutrients they need.

  • Parallel multiband harmonic enhancer with five individual bands
  • Control over the crossover frequency points between bands
  • Control over the mix of the direct signal with the enhanced version
  • Per-band stereo width control
  • Punch control for smoothing or accentuating punchiness and dynamics
  • Zero-latency processing

VU Meter

Mix and track in your DAW using the industry’s classic metering method, in order to help you achieve optimal levels, sufficient headroom and a clearer mix.

Are your mixes too often muddled and congested, even though you’re carefully watching peak levels in your DAW? If so, you are probably not using a VU meter. Whereas the peak meters in your DAW focus on the loudest moments in the audio, VU meters average out many of the shorter peaks, mimicking the way our ears react to sound and giving you a more realistic representation of the way audio level changes are actually perceived.

VU meters have been a proven industry standard for decades, across multiple musical genres and platforms, assisting engineers to set proper recording levels and mix with adequate headroom and a well-balanced gain structure.

With unparalleled smoothness and perfect ballistic response that equals the best hardware VU meters, the Waves VU Meter plugin will help you maintain proper gain staging for a clear and spacious mix.

Load the Waves VU Meter on any or all tracks while recording to make sure your recording levels are not too hot, or insert it on your master buss and pin it to your screen for a precise visual reference of your mix’s overall levels.

  • Meter average levels to achieve a well-balanced mix
  • Accurate ballistic response with smooth movement & fast refresh rate
  • Headroom calibration: 4 to 26 dB
  • Classic console VU meter design

Waves Tune LT

Waves Tune LT is a special edition of Waves Tune which is available as part of selected bundles or separately as a single plugin. It delivers the same great sound as Waves Tune, using an intuitive interface and simplified controls.

  • Operates in sync and controls host transport using ReWire
  • Pitch edit graph with waveform overview, timeline, piano roll and pitch editor
  • Three timeline modes including bars/beats, minutes/seconds and samples

JJP Bass

Jack Joseph Puig on JJP Bass: “Every track is different. And every bass track is different. Sometimes you want just a great bottom; other times you want something with more mid-range that cuts through a mix. You may want to give it a bit of distortion, give it an edge. Or you’ll want to shape the sound with some nice bell EQs, use some compression and gate to lock it with the kick drum. I could even see someone using this plugin on the drums of a hip hop track as a sub enhancer, to give it some attitude. JJP Bass is a plugin that could be used in any situation.”

  • All-in-one multi-effect plugin for bass
  • Created in collaboration with producer / mixer Jack Joseph Puig
  • JJP’s Grammy® award-winning sound – instantly!

JJP Cymbals & Percussion

Jack Joseph Puig on JJP Cymbals & Percussion: “There’s really so much you can do with cymbals and percussion. You can use some lo-fi effect to fatten up shakers. You can take out the mid-range on tambourines to make them sound brighter, or you can add some dirt and distortion to make them sound grittier. You can boost the high end to enhance the shimmer of the cymbals or compress them hard, to bring out other aspects of their sound. The JJP Cymbals & Percussion plugin gives you instant access to all the different colors I like to use, so you can just fire it up, find what you need, and stay creative.”

  • All-in-one multi-effect plugin for cymbals and percussion
  • Created in collaboration with producer / mixer Jack Joseph Puig
  • JJP’s Grammy® award-winning sound – instantly!

JJP Drums

Jack Joseph Puig on JJP Drums: “There are certain things you usually just take for granted when you’re mixing drums. Sure, the snare has to snap. Or maybe you want it to have a woodier sound. The bass drum has to have a nice bottom. But beyond that, there’s a whole other range of things you need to consider to really make the song come alive. Maybe there’s some tonality in the drum kit that you want to emphasize. How do the drums relate to the rest of the song? And once you figure all that out—how do you get there? Well, what’s really great is, JJP Drums is a plugin that can do it all.”

  • All-in-one multi-effect plugin for drums
  • Created in collaboration with producer / mixer Jack Joseph Puig
  • JJP’s Grammy® award-winning sound – instantly!

JJP Guitars

Jack Joseph Puig on JJP Guitars: “I approach the guitar as a sound designer, and try to use the whole sonic palette: Make it brighter, darker, more aggressive, compress it, bring out the attack, whatever—to give it attitude. The JJP Guitars plugin helps you get into that creative space, quickly. Sure, there’s a rock and roll edge to this plugin, but for me, what makes it so powerful is that everything you need, it’s right there in front of you; it lets you stay in the zone.”

  • All-in-one multi-effect plugin for guitars
  • Created in collaboration with producer / mixer Jack Joseph Puig
  • JJP’s Grammy® award-winning sound – instantly!

JJP Strings & Keys

Jack Joseph Puig on JJP Strings & Keys: “When I’m dealing with strings and keyboard parts, in general I want them to be radiant and beautiful. I want to shape the tonality to fit what the song needs to be, so when it comes out of the speaker, it’s on another level. With JJP Strings & Keys, it’s set up so you can really follow your instincts, to bring out the complexities in your keyboard parts and orchestrations. You might want to use some delay and make it wider, or add a little air for a more ambient feel. Sometimes you’ll want it dry and in-your-face. Whatever I do, it has to serve the song.”

  • All-in-one multi-effect plugin for keyboards and strings
  • Created in collaboration with producer / mixer Jack Joseph Puig
  • JJP’s Grammy® award-winning sound – instantly!

JJP Vocals

Jack Joseph Puig on JJP Vocals: “When I mix a vocal, my approach is intuitive and instinctive, not technical. I don’t think in terms of ‘which delay’ or ‘how to EQ it’ or ‘more compression’ or whatever. What concerns me is how it makes you feel. And since each singer is unique, and every song is unique, there’s no single way to go about it. Is it personal, is it intimate, or is it loud and aggressive? So I do whatever it takes to make sure the vocal is open, sits well in the mix and, most importantly, helps convey the message of the song. JJP Vocals helps get you there.”

  • All-in-one multi-effect plugin for vocals
  • Created in collaboration with producer / mixer Jack Joseph Puig
  • JJP’s Grammy® award-winning sound – instantly!

Abbey Road Vinyl

Give your music the vintage warmth of vinyl records played on classic turntables and needles: a precise model of Abbey Road Studios’ vinyl cutting and playback gear.

There are few things in music that capture the emotion of diehard fans more than vinyl. The retro feel of a record, combined with the analog warmth of its sound, makes vinyl a beautiful nostalgic statement. 

Designed with Abbey Road Studios, this plugin faithfully captures every stage of the vinyl production and playback process: you can choose between the sound of a pure acetate (lacquer) cut or the print master vinyl pressing from the factory; play the records on two distinct turntable types with a choice of three classic cartridges; and even add the EMI TG12410 mastering console on the path into the vinyl lathe. 

For added authenticity and creativity, Abbey Road Vinyl even lets you move the location of the tone arm across the record, changing the frequency response and distortion like in the real world. You can also add vinyl noise and crackle, apply a gradual slow-down/stop turntable effect, and add wow and flutter effects for extra analog warmth.

Abbey Road Vinyl is the long-awaited tool for diverse audio users: from mixing engineers craving a distinct smooth sound, to electronic and hip hop artists who cherish that “needle” touch, to sound designers reaching for authentic vinyl qualities and producers seeking a true-to-vinyl dimension on their tracks.

  • Add authentic vintage vinyl sound to your tracks
  • Precise model of the original vinyl cutting and playback gear at Abbey Road Studios
  • Choose between acetate master and printed vinyl pressing
  • 2 turntables, 3 cartridges
  • Slow-down/stop turntable mechanism
  • Control tone arm position for variable frequency response/distortion
  • Add phase distortion; noise, pops and crackles; wow and flutter; modulation
  • Run the sound through Abbey Road’s EMI TG12410 mastering desk

Gregg Wells MixCentric

Put a finishing touch on your mix with this easy-to-use plugin, developed with producer, songwriter and mixer Greg Wells (Adele, Katy Perry, OneRepublic).

What separates a mix from a master? No need to think about it when you’ve got the Waves Greg Wells MixCentric plugin, created in collaboration with multiple GRAMMY®-nominated producer, musician and mixing engineer Greg Wells, who has songs on over 85 million units sold.

This intuitive plugin is a quick solution for finalizing your mix. Using EQ, compression and harmonic distortion to process your master buss or groups, Greg Wells MixCentric enhances and balances the tonality of your mix. Combined with your limiter of choice, it brings your mix up to par with fully mastered and released material.

Whether used in mono or stereo mode, this plugin gives you direct access to Greg Wells’ signature sound with the turn of just one knob.

A word from Greg Wells:

“This plugin is very special, and much agonizing and experimenting went into it. The MixCentric plugin will quickly get your track sounding like an expertly EQed and compressed mix, using the same techniques employed by many of the best mix engineers.”

“There is an enormous amount going on behind the deceptive simplicity of the control knob, including many different settings that come in and out and change as you move the knob position.”

“Play with it and discover the incredible power of this user-friendly plugin. There has never been a plugin like MixCentric and I wish I had it 20 years ago!”

  • Created with multiple GRAMMY-nominated producer, songwriter & mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika, Twenty One Pilots)
  • Insert MixCentric on the master buss and quickly finalize your mix
  • Combine MixCentric with your limiter of choice, and bring your mix up to par with fully mastered tracks
  • User-friendly interface

Greg Wells PianoCentric

Get access to the piano and keyboard mixing techniques perfected by producer, songwriter and mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic).

The piano can be a tricky instrument to mix due to its wide frequency range and varying dynamics. No one knows this better than multiple GRAMMY®-nominated producer, songwriter, musician and mixing engineer Greg Wells (Adele, Katy Perry, Mika, One Republic, Twenty One Pilots), who has songs on over 85 million units sold, and who is himself an accomplished pianist and piano aficionado.

The PianoCentric plugin makes mixing piano that much easier by giving you direct access to the customized tools, signal flow and piano processing techniques perfected by Greg Wells. 

Developed in collaboration with Greg himself, this exciting addition to the Waves Signature Series lets you quickly find the right sound for your piano or keyboard recordings. With just a simple interface, Greg Wells PianoCentric delivers usefully diverse results, varying from gorgeous full-range piano to lo-fi filtered sounds.

Mixing piano just got a lot less tricky.

A word from Greg Wells:

“The PianoCentric plugin is something I wish every studio I’ve ever worked in had.”

“The piano is a hard instrument to record and even harder to make sit in the mix properly. I have been playing piano as a studio musician for 30 years. Anytime I heard an engineer do something that got me closer to the piano sound in my head, I paid very close attention. Under the hood of the PianoCentric plugin is every technique I’ve learned over the years for how to make piano sound amazing in the studio.”

“I’ve designed this plugin to reach two different destinations. One destination is gorgeous, punchy piano that will cut through any mix with lots of drums and other elements. The second and opposite destination is more like an old bullet microphone in mono, inside the piano – lo-fi and a little crunchy. Enjoy!”

Greg Wells ToneCentric

Add rich analog tone to individual tracks or entire mixes, in the studio or live, with this musical harmonic enhancer developed with Greg Wells based on his favorite pieces of analog gear.

Created in collaboration with the multiple Grammy®-nominated producer, musician and mixing engineer (Adele, Katy Perry, OneRepublic), ToneCentric gives you easy access to Greg’s signature harmonic enhancement techniques, as heard on hit recordings that have sold over 85 million units.

Greg on his vision for the plugin:

“I’m always on the hunt for ways to pull more music out of the speakers. You get a beautiful effect when you run audio through healthy vacuum tubes and transformers wound the right way, and record it to a great tape machine. This plugin is an homage to the great analog gear that leaves a wonderful sonic footprint on your sound.

“There are certain pieces of gear in my studio that consistently do this for me without fail: a holy grail 1950s mono tube compressor, a tape machine, a custom-made vacuum tube console.

“Several plugins do a great job pointing in this direction, but sometimes I find the high-end suffers. In developing ToneCentric, it was important to me to keep things sonically quite full overall, but with an added depth of field.

“As with all the plugins in my Signature Series, there is an enormous amount going on behind the simplicity of the single-knob interface. Different settings on the knob will yield different results and I encourage you to experiment with subtle to mid to drastic levels.

“Here’s to more tone-filled music! I hope you like it as much as I do.”

  • Harmonic enhancement plugin for adding rich analog tone
  • Created with producer, songwriter & mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika, Twenty One Pilots)
  • Based on Greg’s favorite vintage analog gear
  • For use in the studio or live
  • User-friendly single-knob control

Greg Well Voice Centric

Get quick access to the signature vocal sound of Greg Wells, producer, songwriter and mixing engineer for Adele, Katy Perry and OneRepublic.

It’s been said that the human voice is the most powerful instrument ever made. Most music genres are dominated by the vocal. Producers and engineers devote countless hours in the studio trying to get the perfect vocal sound that sits naturally in the mix.

Now imagine if you could get that vocal sound in seconds.

The Greg Wells VoiceCentric plugin is the first in a line of Greg Wells Signature Series plugins, created in collaboration with multiple GRAMMY®-nominated producer, songwriter, musician and mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika, Twenty One Pilots), who has songs on over 85 million units sold.

Greg Wells VoiceCentric is a user-friendly plugin featuring one main control and three additional controls for Wells’ customized Delay, Doubler and Reverb settings. Designed for those looking for an A-level mixed vocal sound, this plugin gives you instant access to Greg Wells’ signature sound – a world-class solution for vocal processing.

  • Created in collaboration with producer and mixing engineer Greg Wells (Adele, Katy Perry, OneRepublic, Mika)
  • Get an A-level vocal sound in seconds
  • Includes Greg’s customized Delay, Reverb and Doubler

Puig Child Compressor

Throughout the vinyl era, the original Fairchild 660 and 670 compressors were ubiquitous: From the recording studio to the record lathe, the Fairchild was renowned for its advanced compression techniques and incomparable sound. We’ve collaborated with GRAMMY®-winning producer/engineer Jack Joseph Puig (U2, Rolling Stones, Lady Gaga) to capture every distinctive nuance and harmonic detail of the vintage Fairchild 670 device housed in Jack’s own studio.

  • Modeled on a rare vintage Fairchild 670
  • Lateral vertical mode (MS compression) for optimal stereo imaging
  • Linked & unlinked modes


BOOKING CONTACT





Subscribe to our newsletter

Please accept that you agree with our GDPR compliant privacy policy.